Wonder Woman

A woman with whirlwind talent for heroics bursts her way into the DC film franchise.

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Born and raised by the Amazons on an island invisible to man, a young woman, Diana, learns of her talents and origins as she develops into a courageous woman ready to stand up for a world who is seemingly undeserving of her powers.

Gal Gadot heads up the casting as Wonder Woman and does an exceptionally elegant job of showcasing the characters uncompromising strength, coupled with her emotional fragility throughout the film. It is with a breath of fresh air that Gadot injects the modern woman into a formally token female superhero.

The resilience of the character throughout the plot enables the film to keep a pace with which an audience becomes absorbed; from the origins of the character to the break-out of her instinctive heroics, DC have finally managed to successfully adapt a character from page to screen without too much devastation.

Whilst the film is by no means perfect, I’m looking at you special effects team, it is certainly a step in the right direction for DC and gives fans hope for the forthcoming films expected later this year.

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Baywatch

As comedic crime drama beach spoofs go, this one is just as ridiculous as is to be expected.

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A lifeguards work is never over, especially when you’re an LA County lifeguard, who’s roles apparently encompass the most unlikely of tasks such as undercover crime investigations; just another day at the beach for these guards.

Though David Hasselhoff and Pamela Anderson have had their characters upgraded in the form of Dwayne ‘The Rock’ Johnson and Zac Efron, the basic premise is the same; everyone is astonishingly good looking and the beach crimes are as unrealistic as ever.

Despite an absolutely abysmal string of comedic slow-motion running scenes and face-palm worthy jokes, this film still manages to bring a smile to the faces of its begrudging audience.

The basic plot may be no different to its 1990s crime series counterpart and the special effects may have you cringing in your seats, but there is definitely something lovable about the sheer scale of this films ridiculousness.

Snatched

Amy Schumer is the unlikely daughter of Goldie Hawn on a holiday they’ll never forget.

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Dumped by her boyfriend and eager for travel, Emily (Schumer) finds herself with a spare ticket for an Ecuadorian adventure, so decides to enlist her mother (Hawn) as her plus one; what could possibly go wrong?

Though an unlikely pairing, Schumer and Hawn gloriously unite to provide audiences with a comedic journey like no other. From escaping boobs to drunken shenanigans, not a minute goes by without a laugh, or at worst, a face-palm.

The plot, whilst obviously and completely ridiculous, manages to successfully convey its story whilst providing the much needed comic relief and a worryingly accurate representation of a mother-daughter relationship, which is unwavering in its honesty.

It may not be everyone’s cup of tea for its excessive use of dry humour, but it certainly checks most of the comedy genre boxes.

King Arthur: Legend of the Sword

A classic tale is turned into an epic adventure as Guy Ritchie sprinkles it with a little magic.

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Though born into royalty, Arthur is brought up in poverty following his parents demise at the hands of his uncle, which leaves him unknowingly carrying greatness upon his shoulders.

Guy Ritchie does what he does best, casting his unique style into the direction of this film; as the plot builds, so does the speed of the action, exhilarating with such vigour, you leave the cinema feeling slightly windswept. But to counteract this feeling of excitement, Ritchie slows down scenes to highlight his classic slow-motion angles, creating stand-out moments at the heart of the action.

The soundtrack, too, is unnervingly accurate, keeping the audiences’ emotions in check throughout the action and into the emotion; as if you’d expect anything but brilliance from the director behind the Sherlock Holmes films.

Though having to withstand David Beckham’s attempt at ‘acting’ for  potentially the longest three minutes of our lives, the rest of the cast exceeds all expectations, showing of their numerous talents and living up to their household names.

Unlocked

CIA films never get old, but they do, apparently, get longer.

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London is in a terror crisis, and it’s up to CIA agent, Alice Racine, to save the day. But as is the case with so many crime thrillers, such matters are never made easy.

In a plot twist that’s sure to make even Donald Trump double take, conspiracy theories get a whole new meaning as central intelligence gets a little less, well, intelligent.

With a cast that boasts the likes of Michael Douglas and Orlando Bloom, you can only hope for good things, but, alas, that’s about as good as this film gets; safe to say these two will be having harsh words with their management teams.

Despite the best efforts of the script-writers, this film just cannot get it’s feet off the ground, with each anti-climatic scene following the next, it’s a wonder there were so many cinema goers left in their seat by the time the end-credits rolled.

 

Guardians of the Galaxy Vol. 2

Star-Lord and his troop are back to guard the galaxy against the most unlikely of predators.

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Since saving the planet and relinquishing their criminal reputations, the guardians have been busy freelancing their skills around the galaxy. But when Quill’s father makes an unexpected appearance, the team must put their business plans on hold.

Despite having a lot to live up to, as sequels go, this film truly does match expectations. The characters have been further developed and the special effects have been given a revamp. Rather than lagging behind, the story has been turbo-boosted with vigour, allowing for the characters to pursue their paths and continue their bond with the audience.

The acting, as is to be expected with such a star-studded cast, is beyond impressive, especially when taking into account the vast majority of it would have been done using green screen; they are in space after all.

What continues to amaze me the most about this franchise is the very fact that the creative team have been able make an audience fall in love with a CGI tree that says just three words: I am Groot.

 

 

 

Free Fire

Comedy, guns and violence; what more could you want?

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In an abandoned factory where an arms deal goes down, two gangs meet to discuss the technicalities, but when shots are fired, all hell breaks loose as each member fights for their survival.

What is so remarkable about this film is it’s simplicity; the whole film remains in one setting, a setting which barely alters and yet remains the base throughout. Similarly, the characters commit to each of their roles without hesitation and with tremendous authority.

Though the film is nothing but a shoot-out, it still manages to entice interest despite its basic concept, perhaps due to the depth of characters and the comedy that provides room for the mostly fast-paced environment.

It is a film that goes nowhere, but has everyone hooked from the offset.