The Snowman

A chilly start to a snowballing crime sees Michael Fassbender pursue a carrot-nosed villain.

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Infamous detective, Harry Hole (Fassbender), must strike up a work-life balance before he loses everything. What starts out as a harmless homicide investigation soon escalates into a matter of personal revenge, with Harry becoming the target.

The film had enormous potential to be one of the most hard-hitting crime dramas in years, but unfortunately, the lacklustre script left the overwhelmingly talented cast pining for a bigger challenge. At every turn, this film had the ability to stun, but, director Thomas Alfredson, disappointed with a culmination of scenes that merged into one another without much hope of climax.

Whatsmore is the lack of explanation as to why a story set in Oslo,  Norway has all-English speaking characters. Though clearly done in order to heighten accessibility in the cinematic universe, it does create confusion for audiences who are not familiar with the Jo Nesbo book on which this film is based, and simply adds to the overall uninspired finish of the film.

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